METAFORADA TO‘G‘RI VA KO‘CHMA MA’NOLARNING SEMANTIK MUNOSABATI: W. SOMERSET MOEMNING “RAIN” HIKOYASI MISOLIDA
DOI:
https://doi.org/10.67227/x8tqmq85Kalit so‘zlar:
metafora, to‘g‘ri ma’no, ko‘chma ma’no, badiiy diskurs, kontekst, konseptual metafora, semantik transformatsiya, konseptual oppozitsiya, lingvopoetika, Somerset Moem, “Rain”.Abstrak
Mazkur maqolada W. Somerset Moemning “Rain” hikoyasi materialida metaforik ma’noning shakllanish mexanizmi, to‘g‘ri va ko‘chma ma’nolar o‘rtasidagi semantik munosabat hamda metaforaning badiiy diskursni tashkil etishdagi funksional imkoniyatlari o‘rganiladi. Tadqiqotning asosiy e’tibori “rain” leksemasining denotativ ma’nodan kontekstual, obrazli va konseptual ma’noga o‘tish jarayoniga qaratilgan. Metaforik birliklar alohida stilistik hodisa sifatida emas, balki matnning makrostrukturasini, qahramonlarning psixologik holatini, axloqiy ziddiyatlarni va muallif konsepsiyasini shakllantiruvchi diskursiv mexanizm sifatida tahlil qilingan. Tadqiqotda kontekstual-semantik, komponent, lingvopoetik, diskursiv, konseptual va interpretativ tahlil usullaridan foydalanilgan. Yomg‘ir obrazi voqealar makonini belgilash bilan cheklanmay, psixologik bosim, ruhiy taranglik, nazorat, istak, axloqiy hukm va ichki inqiroz kabi mazmunlarni faollashtirishi ko‘rsatilgan. Shuningdek, tashqi/ichki, hukm/haqiqat, e’tiqod/istak, hokimiyat/ojizlik singari konseptual oppozitsiyalarning metaforik semantika kengayishida muhim rol o‘ynashi asoslangan. Tadqiqot natijalari metaforaning badiiy matnda faqat ko‘chim turi yoki obrazlilik vositasi emas, balki matnning semantik va konseptual yaxlitligini ta’minlovchi kognitiv-diskursiv mexanizm ekanligini ko‘rsatadi.
Yuklashlar
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