JULIAN BARNSNING “FLOBERNING TO‘TIQUSHI” POSTMODERN BIOGRAFIK ROMANIDA OBYEKTIV HAQIQATNING SUBYEKTIV TALQINI
DOI:
https://doi.org/10.67227/aw6hxp97Kalit so‘zlar:
Julian Barns, Floberning to‘tiqushi, postmodernizm, biografik roman, biografiya, obyektiv haqiqat, subyektiv talqin, dekonstruksiya, janrlar qorishmasi, metaadabiyot.Abstrak
Mazkur maqolada Julian Barnsning Floberning to‘tiqushi postmodern biografik romanida obyektiv haqiqatning subyektiv talqini masalasi tahlil qilinadi. Tadqiqotda biografiya janriga postmodern dekonstruktiv yondashuv hamda yozuvchi hayoti va ijodini badiiy qayta talqin qilish mexanizmlari yoritiladi. Asarda XIX asr fransuz adabiyotining yirik vakili Gustav Flober hayotining bosh qahramon va hikoyachi Jeffri Breysveytning shaxsiy kechinmalari, xotiralari va mushohadalari orqali tasvirlanishi obyektiv biografik haqiqatning nisbiy va subyektiv xarakterini namoyon etishi asoslanadi. Roman tarkibidagi xronologiya, lug‘at, manifest, imtihon varaqasi, tanqidiy esse, apokrif, bestiariy, biografiya va avtobiografiya kabi turli janr hamda hujjatli shakllarning qorishuvi postmodern narrativning o‘ziga xos xususiyati sifatida tadqiq etiladi. Shuningdek, romanda intertekstual allyuziyalar va janrlararo sintez vositasida tarixiy-biografik haqiqatning muallif tomonidan qayta tiklanishi va talqin qilinishi ko‘rib chiqiladi. Tadqiqot natijasida roman postmodern biografiyaning nazariy va badiiy imkoniyatlarini namoyon etuvchi muhim asar sifatida baholanadi.
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