BIN SIN SHE’RIYATIDA SINTAKTIK PARALLELIZM: LINGVISTIK TAHLIL
DOI:
https://doi.org/10.67227/wcy6x145Kalit so‘zlar:
sintaktik parallelizm, Bin Sin, korpus lingvistikasi, lingvopoetika, leksik parallelizm, semantik parallelizm, baihua she’riyati, poetik til, stilistika, xitoy she’riyati.Abstrak
Mazkur maqolada xitoylik shoira Bin Sin (冰心, 1900–1999)ning “Fanxing” (繁星, 1923) va “Chunshui” (春水, 1923) to‘plamlaridagi 346 ta she’r asosida tuzilgan elektron poetik korpus yordamida sintaktik parallelizm hodisasi lingvistik jihatdan tahlil qilinadi. Tadqiqotning maqsadi Bin Sin she’riyatida parallelizmning asosiy turlarini aniqlash, ularning qo‘llanish xususiyatlarini korpus tahlili asosida yoritish va ushbu hodisaning poetik funksiyalarini lingvistik nuqtai nazardan asoslashdan iborat. Tadqiqotda korpus lingvistikasi, lingvopoetik tahlil, chastota va kollokatsion tahlil metodlari kompleks tarzda qo‘llanildi. Natijalar shuni ko‘rsatdiki, 346 ta she’rning 63 foizida parallelizmning kamida bitta turi aniqlandi. Parallelizmning uch asosiy turi ajratildi: leksik parallelizm (40,7%) — rang epitetlari va tabiat obrazlarining parallel qo‘llanishi; sintaktik parallelizm (28%) — bir xil grammatik qoliplarning ketma-ket takrorlanishi; semantik parallelizm (22,8%) — ma’no jihatdan uyg‘un tuzilmalarning qo‘llanishi. Roman Jakobson va Geoffrey Leech nazariyalari asosida parallelizm Bin Sin she’riyatida shunchaki stilistik bezak emas, balki ma’no hosil qiluvchi asosiy lingvistik mexanizm sifatida baholandi. Tadqiqot o‘zbek tilshunosligida Bin Sin she’riyatini sintaktik-lingvistik jihatdan o‘rganishga dastlabki hissa qo‘shadi.
Yuklashlar
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