G‘ARB VA SHARQ ADABIYOTIDA TUN OBRAZINING EKZISTENSIAL RAMZ SIFATIDAGI BADIIY TALQINI
DOI:
https://doi.org/10.67227/8vnqz494Kalit so‘zlar:
tun obrazi, ekzistensial ramz, G‘arb adabiyoti, Sharq adabiyoti, qiyosiy-tipologik tahlil, yolg‘izlik, hijron, o‘lim, abadiyat, begonalashuv, transsendensiya, poetik obraz.Abstrak
Mazkur maqolada G‘arb va Sharq adabiyotida tun obrazining ekzistensial ramz sifatidagi badiiy talqini qiyosiy-tipologik yondashuv asosida tadqiq etiladi. Tun obrazining oddiy xronologik vaqt yoki peyzaj unsuri doirasidan chiqib, insonning ichki kechinmalari, yolg‘izlik, hijron, o‘lim, abadiyat, begonalashuv, ruhiy izlanish va o‘zlikni anglash kabi fundamental ekzistensial holatlarni ifodalovchi murakkab poetik kategoriya sifatidagi xususiyatlari ochib beriladi. Tadqiqotda G‘arb adabiyotidan Novalis va Emily Brontë ijodi, Sharq adabiyotidan esa Hofiz Sheroziy va Nimo Yushij asarlari tahlil qilinadi. Qiyosiy tahlil natijasida G‘arb romantik va modern poetikasida tunning ko‘proq o‘lim, transsendensiya, individual yolg‘izlik va mavjudlik noaniqligi bilan bog‘lanishi, Sharq mumtoz va zamonaviy adabiyotida esa hijron, visol, ruhiy mushohada, ma’naviy izlanish va ijtimoiy-ekzistensial begonalashuv bilan uyg‘unlashishi aniqlanadi. Shuningdek, tun va tong, zulmat va yorug‘lik kabi poetik oppozitsiyalarning turli adabiy-madaniy an’analardagi semantik funksiyalari yoritiladi. Tadqiqot tun obrazining G‘arb va Sharq adabiy tafakkurini bog‘lovchi universal ekzistensial ramz ekanini asoslaydi.
Yuklashlar
Havolalar
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