THE IDEA OF FREEDOM IN THE WORKS OF MAGZHAN ZHUMABAYEV
Keywords:
poet, poetry, creativity, art, youth, eastern, western, aesthetic traditions.Abstract
This article scientifically analyzes the interweaving of eastern and Western aesthetic traditions in the work of Magzhan Zhumabayev. Symbolism, mystical and philosophical motifs in the author’s poetic system, images of traditional Eastern poetics and features of Western modernism are studied on the basis of comparative analysis. The results of the study reveal the multifaceted nature of Magzhan’s poetry, its role as a bridge between national and world literature. This study examines the idea of freedom as a central philosophical, ideological, and aesthetic concept in the literary works of Magzhan Zhumabayev, one of the most prominent figures of Kazakh literature in the early twentieth century. The study examines how the notion of freedom is articulated through poetic imagery, symbolism, national consciousness, and individual self-expression in Zhumabayev’s poems and prose. Special attention is given to the historical and sociopolitical context of the colonial and early Soviet periods, which significantly shaped the writer’s worldview and artistic vision. Using textual, comparative, and contextual analysis, the research identifies key motifs of national liberation, spiritual independence, and personal dignity, demonstrating how Zhumabayev’s creative legacy embodies a profound and multifaceted understanding of freedom.
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