E. A. PONING “TAMERLANE” VA CH. MARLOWNING “TAMBURLAINE THE GREAT” ASARLARIDA BADIIY TIL, OBRAZ VA NUTQNING LINGVISTIK QIYOSIY TADQIQI
Kalit so‘zlar:
lingvopoetika, Tamerlan obrazi, qiyosiy tahlil, metafora, diskurs, nutq akti, konsept, semantik maydon, romantizm, RenessansAbstrak
Mazkur maqolada Edgar Allan Poe ning “Tamerlane” poeması va Christopher Marlowe ning “Tamburlaine the Great” dramasida Tamerlan obrazining lingvopoetik xususiyatlari qiyosiy tahlil qilinadi. Tadqiqot lingvopoetika, kognitiv lingvistika va diskursiv yondashuvlar asosida olib borilgan. Natijalar shuni ko‘rsatadiki, Poe asarida Tamerlan obrazi ichki ruhiy fojia, pushaymon va melankolik tafakkur orqali ifodalansa, Marlowe dramasida u mutlaq hokimiyat va titanizm timsoli sifatida namoyon bo‘ladi. Ushbu maqolada til birliklari orqali badiiy tafakkurning shakllanish mexanizmlarini ochib beradi.
Yuklashlar
Havolalar
1. Marlowe C. Tamburlaine the Great. – London, 1587.
2. Marlowe C. Tamburlaine the Great. Part II. – London, 1587.
3. Marlowe C. Complete poems. – New York: Belknap Press, 1969. – 400 p.
4. English Renaissance drama. – Oxford: Oxford University Press, 2000. – 350 p.
5. Galperin I. R. Stylistics. – Moscow: Higher School, 1977. – 320 p.
6. Safarov Sh. Lingvopoetika. – Toshkent, 2010. – 280 b.
7. Lakoff G., Johnson M. Metaphors we live by. – Chicago, 1980. – 256 p.
