“YO‘QOTILGAN AVLOD” ADABIYOTIDA FRONT VA FRONT ORTIDAGI AYOLLAR OBRAZINING IJTIMOIY-RUHIY TALQINI: F. S. FITZGERALD VA E. HEMINGUEY ASARLARI MISOLIDA
Kalit so‘zlar:
Yo‘qotilgan avlod, ayol obrazi, “Buyuk Getsbi”, “Alvido, Qurol”, gender transformatsiyasi, urushlararo adabiyot, badiiy tasvir, qiyosiy adabiyotshunoslik, urush va gender.Annotatsiya
Ushbu maqolada F. Skott Fitzgeraldning “Buyuk Getsbi” (1925) va Ernest Hemingueyning “Alvido, Qurol” (1929) asarlarida ayol obrazlarining badiiy va ijtimoiy-ruhiy jihatlari tahlil qilinadi. Tarixiy-madaniy kontekstualizatsiya va gender tahlilini o‘z ichiga olgan qiyosiy metodologiya asosida tadqiqot Birinchi jahon urushidan keyingi davrda front hamda front ortida yashagan ayollarning ijtimoiy holati, ruhiy dunyosi va badiiy ifodalanishini yoritadi. Ikkala roman ham “Yo‘qotilgan avlod” adabiy an’anasiga mansub bo‘lsa-da, ular ayollik obraziga tubdan farqli yondashuvlarni namoyon etadi: Fitzgerald o‘z ayol qahramonlarini ijtimoiy tanqid vositasi sifatida ishlatib, urushdan keyingi Amerika jamiyatining ma’naviy inqirozini fosh etadi. Heminguey esa Catherine Barklini urush vayronasi fonida sevgi, fidoyilik va fojiali go‘zallikning timsoli sifatida yaratadi.
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