MODERNISTIK BADIIY NASRDA PORTRET TASVIRINING LINGVISTIK MEXANIZMLARI: D.H. LORENSNING “AYOLLAR MUHABBATDA” ASARI MISOLIDA
Kalit so‘zlar:
portret tasviri; xarakterizatsiya; modernizm; stilistika; fokalizatsiya; metafora; metonimiya; D. H. Lourens; Women in Love.Annotatsiya
Modernist badiiy nasr portret tasvirini jismoniy atributlarning qat’iy katalogidan idrok,
emotsiya va ijtimoiy hokimiyat ta’sirida shakllanadigan dinamik, talqin qiluvchi amaliyotga aylantiradi. Ushbu maqola D. H. Lourensning Women in Love romanida qo‘llangan lingvistik mexanizmlarni tahlil qiladi: ularning yordamida qahramon portretlari statik tasviriy elementlar sifatida emas, balki uchrashuvlar jarayonida yuzaga keladigan dinamik hodisalar sifatida yaratiladi. Tadqiqot uslubiy va narratologik tahlildan foydalanib, o‘zaro bog‘liq uch mexanizmni ko‘rib chiqadi: portret tasvirining turli fokalizatsiyalar bo‘ylab taqsimlanishi; tasvirni harakat, pozitsiya va temporallik bilan integratsiyalovchi leksikogrammatik dinamika; hamda tana detallarini moddiy, sensor va ideologik domenlar bilan bog‘laydigan figurativ transpozitsiyalar. Natijalar shuni ko‘rsatadiki, Lourens portretlari tanani “o‘qish”ni ham rag‘batlantiradigan, ham murakkablashtiradigan diagnostik vositalar sifatida ishlaydi va shu tariqa portret tasvirini aniq bilim va qat’iy identiklik haqidagi modernistik tanqid bilan bog‘laydi.
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